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Grateful Dead Live at Rosemont Horizon on 1989-04-11




Set 1

Shakedown Street, Little Red Rooster, Friend Of The Devil, Victim Or The Crime, Built To Last, We Can Run But We Can't Hide, Memphis Blues, Deal

Set 2

Samson & Delilah, Crazy Fingers, Playin' In The Band-> Terrapin Station-> Drums-> Jam-> Gimme Some Lovin'-> Standing On the Moon, Throwing Stones-> Not Fade Away, E: U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Date April 11, 1989
Venue Rosemont Horizon
Location Rosemont, IL

Source Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taped by Mike Darby
Transferred by Keo


Notes

Comments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!

Reviews

Reviewer: njpg - - April 13, 2013
Subject: -
With some EQing for loudness, this is a sweet, crisp tape with only a little bit of noise and mush.

A great first set is somewhat interrupted by three new tunes that are not fully worked up yet, but at least the renditions of these aren't terrible (I actually like Victim and BTL a lot, but I NEVER heard well-played versions of them in '89; a lot of this year's new material actually took about 3 years to fully crystalize, IMO).

Second set starts out noisy & sloppy, but kinks are worked out by the time we're a little way into Crazy Fingers, which is sublime. The suite is excellent all the way through. Killer show, & audience energy is high.
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded from Floor Section 7, Row Y, Seat 4
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Source: flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo
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Source: Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m)